Quote:
Originally Posted by nick997k
I'm just curious, how do you know the original vinyl is the CD master cut to vinyl and not from the analog tapes?
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It's part assumption, part listening observations. The assumption part has to do with it being a 1998 release (during the "dark days" of vinyl) and that era largely being digital for what little vinyl did come out. It was cut at Sterling, which I don't think was cutting from tape at the time, and Ted Jensen is the only mastering credit listed (I don't believe he cuts from tape).
It also does not
sound as if it had been cut from tape.
Quote:
Originally Posted by bowa36
concept and content is something dmb needs to learn from
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The concept of throwing poor masters onto wax, having them pressed at bad plants, and throwing them out into the market? No thanks.
I think DMB does fine on content. We have 5 LTs, 4 DMB Live shows, 2 major releases, and studio work from R2T through Crash, plus some 7" here and there. There's offerings for DMB, D&T, and Dave Solo. I think the content part is more than fine for DMB.
Quote:
Originally Posted by eggsrsweet
The unheard studio cuts? '98 LT bundled w/ release?
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I'd love that too, but it just seems like a pipedream.
'98 live set, on the other hand, is more reasonable.