Quote:
Originally Posted by theflower
I say this with respect to you and with a degree of comedy in light of how long this debate has gone back and forth… Do not see how you have argued your perspective so long that it is now supporting the opposite view point? Those are years that DMB had great new music and failed album efforts. …. 2000 in particular. If the Lillywhite sessions gets produced and released its perhaps there strongest album of all time and instead ….. that very phenomenon is what people are pointing out. Great music that is produced and recorded and not released.
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I have never denied that DMB has self sabotaged album efforts and the fact they did that in their prime is why I have little faith in they will get better at it know haha. At least the sabotaged raw sound of tLWS still sounded good as busted stuff and they stumbled upon making a top 5 song in YNK in the BS sessions. Now the studio sessions create trainwrecks like "Come Tomorrow which has to be one of the most underwhelming title tracks of all time.
This is why I have been so excited for the 2021 and 2022 tours because I knew the longer an album gets pushed back the better the tours and music will be. My observation this entire time is that people are mocking DMB's rollout for releasing a new album that most likely will have a second half with trash music and botched re recordings (see cant stop 2.0).
I love the new songs already out but I also loved the 2015-16 songs outside of Samurai Cop. Let the band talk themselves outta releasing another subpar album that is mixed and matched and full of confusion.