I have found most of the recent pressings I've gotten have been terrific, but I guess I'm also quite choosy as to who is doing it.
The Dire Straits Pallas-pressed catalogue done by Grundman were amazing, Love Over Gold was even better than the recent Japan-issued SHM-SACD (which I spent $56 buying to compare!).
The Nirvana pressings from ORG were fantastic, the blue vinyl is the best I've ever heard Nevermind comparing it to Geffen and MOFI pressings. And all the MOFI pressings done at RTI are whisper quiet as well.
This is why I have high hopes for DMB's vinyl, because it would be done properly and not whisked off for regular pressings like Big Whiskey was. There's no way they would be single LP releases so inner groove distortion shouldn't occur. I did notice a lot of what you're talking about in 2008/2009 when it seemed the business was picking back up at a fast rate (in terms of units sold increase by year). Universal did some terrible pressings in their back 2 black series. The Tool vinyl releases, Smashing Pumpkins, I found them to be pretty poor indeed.
But if they're done at RTI, Pallas, even QRP (Acoustic Sounds new pressing centre) then I believe there is a very good chance they will be golden. Let's just hope they're as important to RLM as they are to us!