Have you ever wondered what a more completed album version of Break For It sound like?
I'll never forget when the sound check video from Vegas 2007 popped up. Something in this version gave me great hope for new Dave Matthews Band album which was being worked on with Mark Batson. This song reminded me of Trouble With You. Just a simple hypnotic lick with a pocket groove that just grew organically into a beautiful chorus. I was hooked.
From then on I felt this connection to the song. This feeling had never left and ultimately inspired this little passion project of mine.
Fast forward to 2010 when it finally made its debut on tour. I was so hopeful the band was ready to release a more solid version of this song. They didn't, and that's okay. I still enjoyed the music coming out of the band.
Then in 2018 "The Batson Sessions" leaked and my goodness I was like a kid on Christmas. I rushed home to find the files and listened to them straight through. Break For It, Drive Me Away, and Shotgun!!! I was in tears because they actually worked on these beautiful jems.
When I first heard the The Batson Sessions Break For It, I was right back to the very first time I heard the 2007 sound check. Even though there were a lot of production elements left off like background vocals, keys, etc. The song was incomplete.
I've dreamt of a more complete studio version of Break For It. Reoccurring dreams actually. This bizarre connection has not left me alone.
I started goofing around adding piano, keys, vocals to the Batson version trying to bring my dream to life. This was a passion project I would frequently visit. Then leave it. Then come back to it with a new approach.
Last year I upgraded my DAW and added a few other fun pieces of equipment. I've spent the last several months fine tuning my vision and I finally think I'm happy with it and I'm excited to share it with you all.
https://youtu.be/niJhXzmGKZ8
So sorry for the rambling.
- Andrew
Few production notes:
I really love the riff playing throughout this song, so I wanted to embellish the idea and give it a twist creating a celestial hypnotic vibe. I took a lot of inspiration from the 2007 sound check video, specifically Butch Taylor's EPiano and the droning bass arpeggio during the choruses.
The Dave wails I used in the choruses are actually the beginning vocal of Get in Line.
I love Mark Batson's style, so I went with a loop focused approach with keeping the Lillywhite ear candy randomness in mind.