Quote:
Originally Posted by space_raven
I think Stephen Harris's production on Busted Stuff has aged better than Lillywhite's on Under the Table and Dreaming and Crash overall
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I think BS has aged really well due to the sparse but precise production. Really sounds like 5 friends in a room playing live. Agree with UTTAD as well. I have trouble going back to it sometimes because it sounds so dated to the early 90s.
Disagree on Crash though. I think it not only holds up well, but has aged extremly well. I find myself going back to it more and more. To me it's the perfect balance of live DMB brimming with energy/passion (DIDO, Billies, LIOG, 41 in particular) and studio refinement. Genuinely curious, why do you think Crash hasn't aged that well?