Quote:
Originally Posted by coldengrey12
It's hard for me to imagine them having the opportunity to expand their sound on Bends, OK Computer and Kid A without the monetary and relative creative license Creep afforded them.
That allowed them to do some things I think a band that hadn't had any mainstream success wouldn't have been able to do.
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"Creep" was the thing that afforded them the big label money and it also totally decimated their creative confidence (for a time) and could have just as easily been the very thing that pigeonholed them into making music that they didn't want to make, potentially destroying the band in the process.
The first recording sessions for
The Bends were an absolute disaster. EMI suggested that RH record the lead-single first, and then write the remaining three singles. They rented an absurd amount of guitars/equipment for Jonny to try out in search of the tone that would afford them another mega-hit.
Fortunately, RH rejected all of these awful suggestions and was able to get back on the road and re-enter the studio with a fresh perspective, but that wasn't before going through two months of paranoid hell, and almost throwing out
The Bends material entirely.
So, yeah, "Creep" helped to create
The Bends, but the label/money wanted to restrict their creativity-- the rejection of "Creep" and that pressure was ultimately what helped to create
The Bends.
The Bends is their most important record in the bands history for this reason. That album afforded them the actual artistic support from the label on OKC, the confidence to further evolve, the distance from "Creep". At the end of the day, RH stuck to their guns, thank god.